These sites use cookies. By continuing to browse the site you are agreeing to our use of cookies.
HIDE OK

Your cart

(0)

Master Anamorphic 100mm/T1.9 meter

Part No: K2.47962.0
Price on Request
Product Description Specification

A range of seven high-performance prime lenses, the ARRI ZEISS Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. 

For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

At a glance

  • Low distortion for uncompromised cinemascope
  • Cinematic bokeh with high contrast and nice focus fall-off
  • Beautiful skin tones and precise color rendition
  • Characteristic oval out-of-focus highlights
Name: Master Anamorphic MA 35mm/T1.9 Master Anamorphic MA 40mm/T1.9 Master Anamorphic MA 50mm/T1.9
Lens Mount (1): PL LDS PL LDS PL LDS
Aperture: T1.9 - T22 T1.9 - T22 T1.9 - T22
Close Focus (2): 0.75 m / 2'6" 0.70 m / 2'4" 0.75 m / 2'6"
Magnification Ratio (3): H: 1:32.3, V: 1: 16.1 H: 1:25.6, V: 1: 12.8 H: 1:22.2, V: 1: 11.1.
Length (4): 183 mm / 7.2" 183 mm / 7.2" 183 mm / 7.2".
Length (5): 235 mm / 9.3" 235 mm / 9.3" 235 mm / 9.3"
Front Diameter (6): 95 mm / 3.7" 95 mm / 3.7" 95 mm / 3.7"
Maximum Housing Diameter: 114 mm / 4.5" 114 mm / 4.5" 114 mm / 4.5"
Weight (kg): 2,6 2,7 2,6
Weight (lbs): 5,7 6 5,7
Entrance Pupil (7) (mm): 178,7 176,9 171,5
Entrance Pupil (7) (inch): 7,040 6,929 6,75
Angle of view H - V
Super 35 Cinemascope (8)
ID = 29.26 mm (9):
65.47° - 29.91° 58.72° - 26.31° 48.46° - 21.18°
       
Name: Master Anamorphic MA 60mm/T1.9 Master Anamorphic MA 75mm/T1.9 Master Anamorphic MA 100mm/T1.9
Lens Mount (1): PL LDS PL LDS PL LDS
Aperture: T1.9 - T22 T1.9 - T22 T1.9 - T22
Close Focus (2): 0.90 m / 3' 0.90 m / 3' 0.95 m / 3'1''
Magnification Ratio (3): H: 1:24.3, V: 1: 12.2 H: 1:19.6, V: 1: 9.8 H: 1:14.7, V: 1: 7.4
Length (4): 183 mm / 7.2" 183 mm / 7.2" 210 mm / 8.1''
Length (5): 235 mm / 9.3" 235 mm / 9.3" 262 mm / 10.2''
Front Diameter (6): 95 mm / 3.7" 95 mm / 3.7" 95 mm / 3.7"
Maximum Housing Diameter: 114 mm / 4.5" 114 mm / 4.5" 114 mm / 4.5"
Weight (kg): 2,7 2,6 3,1
Weight (lbs): 6 5,7 6,8
Entrance Pupil (7) (mm): 152,2 136,7 145,9
Entrance Pupil (7) (inch): 5,984 5,380 5,709
Angle of view H - V
Super 35 Cinemascope (8)
ID = 29.26 mm (9):
41.11° - 17.71° 33.40° - 14.21° 25.36° - 10.68°
       
Name: Master Anamorphic MA 135mm/T1.9    
Lens Mount (1): PL LDS    
Aperture: T1.9 - T22    
Close Focus (2): 1.20 m / 3'11"    
Magnification Ratio (3): H: 1:15.6, V: 1: 7.8    
Length (4): 230 mm / 9.1"    
Length (5): 272 mm / 10.7"    
Front Diameter (6): 95 mm / 3.7"    
Maximum Housing Diameter: 114 mm / 4.5"    
Weight (kg): 3,8    
Weight (lbs): 8,4    
Entrance Pupil (7) (mm): 129,3    
Entrance Pupil (7) (inch): 5,091    
Angle of view H - V
Super 35 Cinemascope (8)
ID = 29.26 mm (9):
18.92° - 7.92°    

(1) Lens Mount
Positive locking (PL) 54 mm stainless steel lens mount with Lens Data System (LDS) contacts
(2) Close Focus
Close focus is measured from the film/sensor plane
(3) Magnification ratio
Magnification ratio is the relationship of the size of an object on the film/sensor plane (first number) to the size
of that object in real life (second number) at the close focus setting; Horizontal (H) and vertical (V)
(4) Length
Length is measured from the lens mount to the front of the lens housing
(5) Length
Length is measured from the image to the front of the lens housing
(6) Front diameter
Diameter of the lens/matte box interface
(7) Entrance pupil
The distance from the entrance pupil to the film/sensor plane at focus = infinity. Positive numbers indicated
an entrance pupil in front, negative numbers indicated an entrance pupil behind the film/sensor plane.
The entrance pupil (often mistakenly called "nodal point") is the center of perspective; moving the camera/lens
system around the center of the entrance pupil prevents parallax errors. While largerly irrelevant for live
action, this measurement is important for special effects work.
(8) Angle of view H, V, D (DIN Super 35)
Horizontal (H) and vertical (V) angles of view for a Super 35 Cinemascope camera aperture
(dimensions 22,5mm x 18,7mm / 0.8858" x 0.7362")
(9) Image Diameter
The image diameter (ID) is the diameter of the image circle needed for the respective format. These lenses are designed for the largest ID given here.

Recommended Accessories

ARRI MA100 Flare Set
Part No: K2.0006802
ARRI MA100 Flare Set
The ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI/ZEISS Master Anamorphic lens series. The flare elements can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.
50 510 SEK ORDER
Sign in

Your cart

(0)