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Angénieux Anamorphic 52-156mm
The new Angénieux Anamorphic 52-156mm 2S
A new lighweight (2.2kg) stunning anamorphic zoom lens with exceptional optical performance!
A perfect zoom together with the new Arri/Zeiss Master anamorphic prime series.
ALURA Extenders
LDS Extenders for Alura Zooms
The new 1.4x and 2.0x Alura LDS Extenders are the ideal tools for significantly extending the focal length range of the ARRI/FUJINON Alura Zoom lenses. Easily and quickly mounted between the camera's PL mount and the taking lens, these additional lens systems are compact and lightweight, with state-of-the-art optical elements and typically robust ARRI build quality.
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THE VAULT
New Features in THE VAULT
-The Codex Vault now includes support for Sony's F5 and F55 cameras as part of the Process Module. This includes compressed XAVC camera data recorded to SxS cards as well as the new Sony AXSM cards used to the record RAW output via Sony AXS-R5 recorders.
-Vault also now supports REDMAGs used by RED Epic and Scarlet cameras, providing a reliable archiving and dailies workflow for RED.
ALEXA XT
ALEXA XT - New Features
Faster, lighter and more affordable ARRIRAW
All ALEXA XT cameras come with the new XR Module (Extended Recording), a side panel that was co-developed with Codex and that replaces the previous SxS Module. The XR Module allows in-camera ARRIRAW recording up to 120 fps onto exceptionally fast and rugged 512 GB XR Capture Drives.
TIFFEN Rotating pol
New Rotating Circular Polarizing Filter...
...in a 4x5.65 frame.
We have the wide range of Tiffen high quality large format glass filters.
And the most common ones in stock!
Contact us for more info.
James Bond - SKYFALL
On Friday 26 October SKYFALL premiers in Sweden.
The first digital James Bond movie shoot with Alexa Studio, Alexa M, Alexa Plus, Alexa & Master Primes.
Will also be screened in IMAX from 9/11 were available.
The Specialist
ALEXA XT M - The Specialist!
The ALEXA XT M is a flexible solution consisting of a separate camera head and body; it is tailored for action and aerial photography, tight corner shots and 3D productions, and any application or environment that would challenge a full-sized ALEXA.