The ARRI ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor in 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, better low light performance, and richer colors.

We proudly introduce ARRI’s 5th generation intelligent hand unit, the Hi-5! Replacing the previous top-end hand unit, the WCU-4, Hi-5 provides reliable wireless camera and multi-axis lens control in demanding situations on set.

ARRI has released some New Products. Click for descriptions, specifications and photos. 

The ARRI Unspoken Nordic Challenge is a short film challenge promoting innovative use of equipment. Films must have a duration of 2-5 minutes and follow the guidlines noted.

Click here for information.

Angénieux Tribute to 

Edward Lachman 

(A.S.C.) 

at Cannes Filmfestival

The latest version of DSMC2 firmware has been posted.

We will be exhibiting at LLB Expo 2018.

Booth B11:20

Click to see news from NAB 2018!

We will be at NAB Show 2018. See you there!

INTRODUCING THE NEW GEMINI 5K S35 SENSOR

Teradek has announced the newest additions to their Teradek Bolt Line: the Bolt 10K and Bolt Manager. 

Certified for #ALEXAMini and #AMIRA.

One of the best directors of photography of all time finally gets his due

RED Digital Cinema WORKSHOP

News straight from BSC EXPO!

New Camera from ARRI: ALEXA LF

New Set of Lenses: ARRI Signature Primes

We will be at BSC Expo 2018! See you there.

2 new monitors to announce: a bright 5-inch and a dark 7-inch

All new SMALL HD 703 Bolt 3000-NIT Monitor.

Software Update Package (SUP) 5.2 
Main Features

CAMERIMAGE 25th International Film Festival of the Art of Cinematography

ARRI Week at Camera Nordic

The latest version of DSMC2 firmware has been posted.

Yesterday RED announced a new cinematic Full Frame sensor for WEAPON cameras, MONSTRO™ 8K VV. MONSTRO is an evolutionary step beyond the RED DRAGON 8K VV sensor with improvements in image quality, including dynamic range and shadow detail.

We will once again be at Monitor Roadshow. You can find us at Booth 21!

Don't miss the biggest event of our industry!

The new ARRI Full Spectrum ND filter serves as the front line of image control.
A natural succession to ARRI’s high quality products,
this external FSND filter not only provides protection but has a palpable effect on image quality.

The world’s first holographic media machine, in your pocket, no glasses needed.

Software Update Package (SUP) 3.0 for the Wireless Compact Unit WCU-4

Arri SUP 5.0: 87 new looks, 1.3x anamorphic, improved EF lens support to Amira and Alexa Mini

Kraftwerk chooses to use two ALEXA cameras from ARRI to shoot their concert film 3-D THE CATALOGUE and produce the cinema version at ARRI@Bavaria Film.

Canon launches the latest addition to the appreciated Cinema EOS Series – The EOS C200

70th CANNES FILM FESTIVAL 

5th edition of " Pierre Angenieux ExcelLens in Cinematography" ceremony

Tribute to Christopher Doyle HKSC

Ruben Östlund is the second ever Swede to win the Palme d'Or at Cannes Film Festival.

Come see us at Monitor Expo 2017!

ANGÉNIEUX ZOOM LENSES AT THE TOP

From May 17 to 28, 2017 the who´s-who of the movie world meet in Cannes.

SmallHD introduces daylight viewable 5 inch monitor

The NEW Optimo Style 48-130 lens that will be presented at NAB 2017.

 ARRI has integrated a high-quality and low-latency HD video transmitter and a WiFi radio into the new ALEXA SXT W model ("W" for Wireless).

CARTONI will introduce at NAB 2017 a new tripod system and significant expansions to its Master, Maxima and Lambda lines of fluid.

New lenses from Cooke!

Come meet Camera Nordic at NAB 2017 in Las Vegas from April 22-27.

New Leica Thalia Large Format Cine Lenses

Last year at IBC in Amsterdam ARRI Master Grip was unveiled – the now well known ergonomic handles for lens and camera control.

RED Weapon 8K S35 & Processing Workshop at Camera Nordic Thursday March 2nd from 14:00 - 17:00.

This is Sweden’s top 10 box office hits for 2016. This time there is one animated movie in the mix.  We would like to congratulate the DoP’s for their work and for their choices of material, the rental houses and all those involved in the making of these features, Bravo!

Oscar Nominations  for best Cinematography 2017

Follow us on Social Media for updates and news!

For THE IVORY GAME, the new Netflix documentary feature film about elephant poaching,
an ARRI AMIRA was used as the main camera.

31st ASC Awards Nominees

This list will be updated with the winners during the ceremony.

Here is the list of the nominated films for best cinematography

Come See Camera Nordic at BSC EXPO in London 3-4 February.

Presenting the Oscars Scientific & Engineering awards. ARRI & RED Digital Cinema on the list!

Monitor Expo 2016

The latest news from IBC 2016...with continuous updates from the show floor!

The Service BufFer Unit Initiative is an idea the originated from Camera Nordic in order to provide ease of mind on any production using ARRI Cameras, ECS and PCA units. With the investment in buffer units located in Stockholm our clients have access to the serivce buffer units in the rare evtuality that a fault on their equipment might arise. So in short...

No Down-time due to unforseen faults on any production from now on!

Are you Ready To Run? And if so how fast are you? What is your lag time from the moment your case opens to when you can push the REC button?
Pretty fast….hmm there is no way you can be as fast as when using the RTR Case from Eisele, the reason is simple. The RTR Case can hold the Camera, Lens, Matte Box, Rods and even the battery… mounted!

This is Sweden’s top 10 box office hits for 2015. We would like to congratulate the DoP’s for their work and for their choices of material, the rental houses and all those involved in the making of these features, Bravo!

There is a new contester in the CFast realm of memory Cards. Following the release of SUP3.0 the ARRI AMIRA and the ARRI ALEXA MINI can now also support Lexar CFast 2.0 cards. This feature in conjunction with Lexar’s release of their 3600x series enables the two ARRI cameras to record up to 256GB of content per card! In short, the recording time of either camera has simply…doubled!

The 5K SCARLET-W, carries on the legacy of the revolutionary RED ONE®, demonstrates RED’s ongoing commitment to making superior image quality accessible to professionals everywhere.
SCARLET-W is a versatile, feature-rich, and intuitive option for professional shooters. SCARLET-W is the newest member of the DSMC2TM family of cameras, and offers a RED DRAGON® sensor, interchangeable lens mounts, simultaneous recording in REDCODE® RAW and Apple ProRes formats, an intelligent OLPF system, and in-camera 3D-LUT outputs. It’s capable of shooting 5K at 60 frames per second (fps), 4K at 150 fps, or 2K at 300 fps with REDCODE RAW.

CARTONI, the gold standard in Camera Support for 80 years, is introducing - in addition to the popular FOCUS HD - a new range of FOCUS Fluid Heads specifically designed for today’s smaller, lighter high-performance cameras.
The four new dynamic Heads, FOCUS 8 - 12 - 18 - 22 accomodate an array of camera, lens and accessories packges from 0 ↔ 22kg (0 ↔ 48.50lbs). Each include CARTONI’s patented counterbalance system for superb performance and each comes with the company’s unsurpassed 5-year warranty.

The Tiffen Multi Rota Tray (MRT) is a geared rotating tray that allows the use and rotation of a 138mm Circular Polarizer and Variable ND in a 4×5.650 tray and is ideal for matte boxes without a rotating filter stage or for those instances where a secondary rotating filter stage is required in a non-rotating stage.

Today, RED Digital Cinema unveiled the latest addition to its line of professional cameras, RED RAVEN. Weighing in at only 3.5 pounds, RED RAVEN is RED’s lightest and most compact camera, making it the ultimate choice for a range of applications including documentaries, online content creation, indie filmmaking, and use with drones or gimbals. With pricing that starts at $5,950 for the camera BRAIN® only, and complete packages under $10,000, RED RAVEN reflects RED’s ongoing commitment to the belief that cinema-quality creative tools should not be in the hands of a few—they should be available to all professional shooters.

With IBC gone and dusted ARRI has annonouced all the up coming and much awaited for software upgrades / updates  for its wide range of products. With many new enahcment s for the whole range of cameras and wireless, the AMIRA seems to get the lions share with upgrades and updates that enhance this already flexible camera to a unit which can be used in an even wider range of applications. Click here to find out exactly what these SUP are going to bring, all you need to ask is What'SUP?or Wassssup?!!

Following the ground breaking Telescoping Xtreme T12 Carbon Fiber Crane first produced in 2010, Egripment has now created a further extension of this line of cranes with more innovation and creative engineering. The Xtreme T10 is not just a scaled down version of the Xtreme T12.

The first production to make use of the ALEXA 65 large format digital camera system has hit theaters: Mission: Impossible – Rogue Nation was shot primarily with 35 mm film cameras by Robert Elswit ASC, but a major underwater sequence was captured with prototype ALEXA 65 cameras in special HydroFlex housings by Pete Romano ASC, in order to maximize image quality for the heavy visual effects. Elswit, Romano and crew spent a month shooting the sequence in a water tank at Warner Bros. Studios Leavesden earlier this year, and Romano speaks here about his experiences.

A wonderfully successful festival again for ARRI in Cannes, with almost 60% of feature films from all selections being shot with ARRI equipment and more than 40% captured with the ARRI ALEXA and ARRI cine lenses. Overall, more than half of the festival's films that were shot digitally used ALEXA as their main camera, showing that ARRI remains the pre-eminent technology leader, setting a gold standard for the rest of the industry.

ARRI’s Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 is a unique lens that perfectly complements the Master Anamorphics by extending the range to cover extreme wide-angle focal lengths between 19 mm and 36 mm, without any sacrifice in image quality. The telecentric optical design of the AUWZ means that it has highly uniform field illumination, from the center to the very corners of the image. Focus breathing is virtually non-existent, distortion is kept to an absolute minimum and straight lines stay straight, even at close focus.

Today sees RED announcment of its new camera platform names Weapon, in conjuction with RED's new Weapon in the Nordic market. 

Leveraging the award-winning 6K RED DRAGON sensor, WEAPON™ is Reds smallest and most lightweight camera BRAIN® ever. Taking the best aspects of EPIC and SCARLET—WEAPON is engineered from the ground up to deliver cutting edge performance in the most intuitive camera experience possible. WEAPON boasts an arsenal of improvements and features that include workflow enhancements, cable-free and intuitive peripherals, integrated mounting points, and more. Arm yourself—WEAPON is here, and so are we.

ARRI’s new ALEXA SXT (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Retaining the rock-solid foundation on which ALEXA is built, ALEXA SXT cameras additionally offer ProRes 4K recording, improved image quality, powerful color management and three fully independent HD-SDI outputs.

Cine Power International is a long established electronic design and manufacturing company based in the United Kingdom. Its design and manufacturing skills are backed by over 40 years of innovative design and trading in the Professional Broadcast and Film Industries.

Complementing the ALEXA range
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.

Two SUP's scheduled within the first half of 2015 for the AMIRA which is the perfect camera for productions ranging from documentaries, reportage and corporate films to TV and low-budget movies, will enhance the feature-set in ways that respond specifically to customer requests and industry trends. With its flexible, re-programmable system architecture, AMIRA will continue to expand in functionality over the coming years in the same way that ALEXA has done since 2010, allowing it to keep pace with a rapidly evolving market and deliver a strong return on investment.

With more than 30 years of experience manufacturing camera cranes and remote camera heads Egripment has built a reputation as the world leader.Products like the awarded Tulip, Scanner, JanJib cranes, and remote heads such as the HotHead, HotShot, Scanner Elite head, Mini and Micro shot are units that have been used worldwide in nearly every type of venue and are accepted as THE “standard” in our Industry.

This is Sweden’s top 10 box office hits for 2014. Two notable aspects of this list is that one animated movie has remained on the top 10 throught out while Hundraågen has kept the top position for the whole duration of 2014. Its also notable that one feature which was shot in anamorph has finished in 9th position. We would like to congratulate the DoP’s for their work and for their choices of material, the rental houses and all those involved in the making of these features, Bravo!

Congratulations to all the nominees of the 87^th Academy Awards. It is with great pleasure to see that once again ARRI cameras are the number one choice for all the nominees in the two main technical categories regarding image capture. All the nominees for Best Picture and Best Cinematography have captured their images using ARRI cameras, either be it on film or digital or a combination of both.

Camera Nordic will support with equipment from ARRI, Cartoni and Ronford-Baker the  2^nd time Academy Award Nominee Dick Pope BSC on the OpenSet of GoKinema which will take place on Staurday Jan, 24^th and will also be supporting EduKinema wich takes place on Monday 26th and Tuesday 27th in Gothenburg.
“The core concept behind GoKinema is the Open Set.” is stated on Gokinemas’ official web page and we are more than happy to support the 2015 Open Set as we have done so from the very beginning of the event.

Congratulations Tiffen for a very well deserved award.

The Academy will award Tiffen with the Academy Award of Commendation (Special Plaque) for their outstanding filters. The award will be given at the Academy Award annual Scientific and Technical Awards presentation on Saturday February 7th in Bevery Hills.

As Official Partners of Nordic Cine 2014 , Camera Nordic is very pleased to announce that the show was a success. The show boasted more than 20 cameras, over 30 tripods, over 150 ARRI accessories wireless and mechanical and a huge array of lenses all placed around a very smartly positioned set. We also screened the ARRI show reels in 4K, which demonstrated the exceptional picture quality that can be achieved with the ALEXA and AMIRA cameras.

The Film and Digital Times have been in the forefront of the professional motion picture industry for quite a long time. The publication is written, edited and published by Jon Fauer ASC an award wining Cinematographer and Director. Jon Fauer ASC is also the author of 14 best selling books, over 120,000 print, his approach of explaining items in a friendly way and the "inside of the industry" secrets of the pros scoops and news have made this publication a "must read" through out the whole motion picture industry. To top that, this great publication has taken probably one of the most in depth and comprehensive tours of the ARRI factory, enough said, sit back and enjoy the ride.

Camera Nordic has started cooperatation with Wasa Kredit, a finance company in the Länsförsäkring group.
We are now able to offer leasing terms for the domestic market, more over this can be done faster and easier then ever before.
Simply contact us with the requested equipment list and we will have a propsal ready for you within the next working day.

With a sensor that has an active area larger than the ARRI’s 765 film gate, with a dynamic range of over 14 stops, with 6,5k uncompressed ARRIRAW, all housed in a slightly larger ALEXA housing, the ALEXA 65 is clearly a camera for legendary sized shots and incredible detail.

The role and importance of lens data has increased in the last years, either from the increase in complexity of on-set shots or from the ever more demanding VFX scenes required today. With ARRI’s new LDE-1 and SUP 2 for the WCU-4, lens data is available regardless of the set up, this gives the ability to use any camera, any lens, (even manual follow focus!) and still have the all the parameters that modern setups have.

This is Sweden’s top 10 box office hits for the first half of 2014. This time there are two animated movies in the mix, and both are in respectable places on the list (3^rd and 6^th). It is also notable to see a 35mm film feature at number 7, and two features shot using anamorphic format in positions 5 and 10. We would like to congratulate the DoP’s for their work and for their choices of material, the rental houses and all those involved in the making of these features, Bravo!

Designed from the outset to be adaptable and future-proof, ALEXA can easily accommodate productions that choose to follow a UHD or 4K workflow. The camera's stellar overall image quality in combination with ProRes 3.2K (due for release as a software update in early 2015) and ARRIRAW Open Gate (released earlier this year) allows for simple up-sampling to UHD or 4K in a quality at least as good as other contenders.

There’s a new software upgrade for the ARRI Amira camera, that will allow it to record ProRes UHD files, the upgrade will available for purchase by the end of the year. The purchasable upgrade will offer the ability to record all ProRes codecs in UHD 3840 x 2160 resolution directly onto the in-camera CFast 2.0 cards, at up to 60 fps (via an upscale filter). The upgrade will be available via a new software license (and a sensor calibration for existing Amiras), this is a response to user feedback, collected through a number of ‘quizzes’ given to customers by resellers.

Many questions have arisen around filters, but we feel none are more promiment and important than those which have to do with light control as compared to the ones that are for effect. With this in mind we ventured to explain the pruspose and differences of ND filters.

Brand New, Awesome and here. The hat trick of novelties from ARRI and Codex is readily available from Camera Nordic.Three brand new game changers each in their respective field are out, they are truly great and more importantly … are in stock!

The ALEXA XR/XT cameras will be the world's first cameras capable of encoding ProRes 4444 XQ.
ARRI announced the support for the new Apple ProRes 4444 XQ, the highest-quality version of ProRes to date, which will be available in the next Software Update Packet for ALEXA cameras. 

In the early 2000's, Newton Thomas Sigel, ASC and Bryan Singer made X-Men and X-Men 2 on 35mm film. Now the duo has reunited with Wolverine and the X-Men roster of superheroes for X-Men: Days of Future Past, which was shot native 3D on a variety of ARRI Alexa cameras with Codex recorders.

On June 4^th STOPP Stockholm hosted,  “ the world of 4K cinema” event, which in fact turned out to be the ultimate cinema camera shootout. With Canon, Panasonic and AJA present and showing their newest 4K specified items the head turners were the 5 cameras lined up, prepped and ready to shoot.

Starting from Malmö and ending up in Stockholm, a full week on the road with many loactions and a party to top it all.
A full week with the AMIRA in hand, a mix of presentations, shootings, and alot of testing, it was truely a full week for the AMIRA. On Thursday during the Viewfinder event the AMIRA was also joined by a number of the newest ECS (Electronic Control Systems) from ARRI which were presented during NAB a short wile ago, expanding the posibilties production possibilities for a huge range of cameras.

The all new ARRI Studio Matte Box SMB-1 supports filter sizes up to 6.6" x 6.6". It is designed for use with bigger wide-angle prime lenses and also with zooms.

She is here for a night in the town, starting at 14:00 come and have a drink, meet her and here freinds in a relaxed enviroment.
Its the perfect enviroment to chat her up and really meet her, find out what AMIRA is all about. With her close friends, EMC, SMC and the all rounded UMC-4, May's ViewFinder event will be filled with VIP's.

Shootools is a young company, created by people with plenty of experience in the photo and video industry.
This allows us to understand and meet the current needs of this market and to introduce innovative solutions. We have come up with the idea of developing tools able to fulfil the creative potential of last generation’s cameras and DSLR Video, allowing professionals and amateurs alike to concentrate on the creative, rather than the technical side of filmmaking.

The three Optimo Style zooms provide focal length from 16 to 250 mm. With ability to extend the range with a 2x (or 1.4x) extender. The 16-40 and 30-76 are extremely light weight 1.9kg each., allowing perfect camera balance for on the shoulder. The 25-250 is a quality, all purpose zoom meeting most production needs with desirable 25mm WA position, 10x range and weight of 7,2kg.The Style series is fully compatible with the latest generation of digital cameras, with the resolution 4K and higher.

New Canon CINE-SERVO 17-120mm T2.95 Zoom Lens Features 4K Optical Performance, a Dynamic 17-120mm Focal Length Range, and Removable Digital Drive Unit for Cine-Style or Shoulder-Mounted Operation

This is a live article straight from the NAB floor space; this article will be constantly updated with new items, pictures and prices throughout the exhibition. As we make our way through the halls and booths we will be updating this page bringing NAB to your screen in virtual real time.

Probably one of the industries best-kept secrets…The Codex Action Cam.

Now you need to pay close attention if the images are captured on Codex or captured by Codex! 

Whether you’re making commercials, TV or movies, sometimes your camera package is just too big for the situation or location you’re trying to shoot in.
Enter Codex Action CAM...
A complete shooting, capture, transcoding and data management solution for situations that require a compact form factor and low weight.
Codex Action CAM itself is a tiny remote head camera for shooting at up to 60fps.
It comes packaged with the Codex Camera Control Recorder that delivers full remote control of the camera, plus the proven workflow of the industry-standard Codex recorder. 

Our websites’ content is evolving and changing to reflect products and trends within our industry. For this reason we have chosen a dynamic web platform within which we update and evolve everyday, this page is alive…

We would like to congratulate all winners of the 86^th Academy Awards, namely 12 Years Slave for Best Picture and Gravity for Cinematography. Both films are a tribute to the excellence of their creators but also to the tools that enabled them to achieve it.

It started out as a simple product presentation, admittedly a very long awaited and highly anticipated product, but nevertheless just a product presentation. Within a very short period of time, with the drive of Camera Nordic’s team and the support of the biggest rental houses within the Nordic region, the first Nordic Arrivals expo was created and as time showed resulted in nothing less than a success.

Once again the gates of Gothenburg opened to host the 2014 GoKinema event and the Gothenburg International Film Festival. GoKinema is a unique event, which brings together students, established filmmakers and industry suppliers at the Gothenburg Film Studio. The venue houses the commercial aspect of the GoKinema event in the main studio area, the Open Set in Studio 2 and the Seminar/Workshop in Studio 3.

A workshop consisting of the latest innovations in motion picture technologies combined with the full potential of the Nordic cine rental powerhouses. The workshop focuses on a hands-on, touch and feel approach to the new equipment, which is presented.

A slap in the face of structured, corporate movie making and a hell of a good excuse to be late on a Thursday night.

Visit The Viewfinder Area for more info.

Happy 2014 to all, the best is still to come...

Polish cinematographers Lukasz Zal and Ryszard Lenczewski jointly collected the top accolade of the Golden Frog for the stylish B&W $2m Polish independent movie Ida, while Mexican DP Lorenzo Hagerman AMC was honoured with the prestigious Silver Frog for the dramatic $1m Mexican indy film Heli.

‘In All is Lost, shot by Frank DeMarco and Peter Zuccarini (director/writer J.C. Chandor), a lone sailor battles the elements after his boat is damaged far from port.

For Gravity, his latest feature film, director Alfonso Cuarón imagined how it might feel to be stuck in space without a spaceship, slowly running out of oxygen, dodging debris.

Optimized optical quality with low chromatic aberration, telecentricity and low distortion, ideal for high performance S35 digital cameras

The daunting question of what camera to choose is followed only by the even more feared question of what accessories are needed. Fear not though for help is only a click or phone call away.

The SXU-1 is a simple and affordable hand unit that is designed to control a single lens axis. 

We are back from Amsterdam!

Did you miss IBC this year? Call us!

We can give you an update on the AMIRA and all the other new launches.

The new ARRI Broadcast Plate for Sony F5/F55.
Only 480g.
The plate is adjustable front to back for more balancing adjustments. The existing Arri shoulder pad mounts underneath.
15mm LWS rods in front and additional rods holder for the back. Rosettes for handles attachments are available.

On/Off support handle for Sony F5/F55
We now have a support handle with start/stop for Sony F5/F55 in stock!The handle has a standard ARRI rosette and works perfectly together with ARRI's Sony support plate or any other brand that uses the same rosette.A standard handle without switch is also available. And Extensions in three different lengths: Short 75mm, Medium 160mm & Long 230mm.
Contact us for more info!

The new ARRI LMB-6 6.6x6.6" matte box has arrived!
The LMB-6 is a lightweight clamp-on matte box that offers all the features of the LMB-25 for the larger-size filters, up to 6.6x6.6".

The new Angénieux Anamorphic 52-156mm 2S
A new lighweight (2.2kg) stunning anamorphic zoom lens with exceptional optical performance!
A perfect zoom together with the new Arri/Zeiss Master anamorphic prime series.

LDS Extenders for Alura Zooms
The new 1.4x and 2.0x Alura LDS Extenders are the ideal tools for significantly extending the focal length range of the ARRI/FUJINON Alura Zoom lenses. Easily and quickly mounted between the camera's PL mount and the taking lens, these additional lens systems are compact and lightweight, with state-of-the-art optical elements and typically robust ARRI build quality.

New Features in THE VAULT
-The Codex Vault now includes support for Sony's F5 and F55 cameras as part of the Process Module. This includes compressed XAVC camera data recorded to SxS cards as well as the new Sony AXSM cards used to the record RAW output via Sony AXS-R5 recorders.
-Vault also now supports REDMAGs used by RED Epic and Scarlet cameras, providing a reliable archiving and dailies workflow for RED.

ALEXA XT - New Features
Faster, lighter and more affordable ARRIRAW
All ALEXA XT cameras come with the new XR Module (Extended Recording), a side panel that was co-developed with Codex and that replaces the previous SxS Module. The XR Module allows in-camera ARRIRAW recording up to 120 fps onto exceptionally fast and rugged 512 GB XR Capture Drives.

New Rotating Circular Polarizing Filter...

...in a 4x5.65 frame.

We have the wide range of Tiffen high quality large format glass filters.
And the most common ones in stock!
Contact us for more info.

On Friday 26 October SKYFALL premiers in Sweden.
The first digital James Bond movie shoot with Alexa Studio, Alexa M, Alexa Plus, Alexa & Master Primes.
Will also be screened in IMAX from 9/11 were available.

ALEXA XT M - The Specialist!
The ALEXA XT M is a flexible solution consisting of a separate camera head and body; it is tailored for action and aerial photography, tight corner shots and 3D productions, and any application or environment that would challenge a full-sized ALEXA.