AMIRA Live
Purpose-designed Super 35 live TV camera
Designed specifically for live, multi-camera applications, AMIRA Live features internal cabling between the camera body and the 1820 Fiber Camera Adapter*. The resulting camera configuration is clean, uncluttered, reliable, and perfect for live broadcast environments, especially in tandem with the ARRI VMM-1 viewfinder monitor.
With its cable-less design, AMIRA Live has more in common with the system cameras typically used for multi-camera broadcasts, but unlike those cameras, AMIRA Live features a Super 35 format ARRI sensor. This unique combination of system camera efficiencies and truly cinematic images, with shallow focus, rich textures, and natural colors, puts AMIRA Live in a class of its own.
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Elimination of external cables between AMIRA Live and fiber backend
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Ideally suited to multi-camera live broadcasts
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Faster setup of the camera system
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Reduced risk of accidental cable disconnection or damage
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Cleaner camera configuration easier to work with for camera operators
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Versatile 10-inch VMM-1 multicam viewfinder monitor
Cinematic Multicam
The ARRI look, with a seamless transmission workflow
Cinematographers strive for a cinematic look; producers seek efficient and flexible workflows. When it comes to live, multi-camera productions, these requirements can conflict. ARRI’s response is a simple-to-integrate fiber transmission system developed in partnership with specialist firm DTS. The combination of ARRI cameras and the 1800 fiber backend* delivers a cinematic aesthetic with the efficiency of a live transmission system.
Customers can record in-camera for post, finishing, or slow-motion effects, while simultaneously transmitting live HDR and UHD/4K signals to a broadcast facility, stage displays, or social media channel, using standard production environments like OB vans or studios. The ARRI Multicam System knits a variety of components together to give program-makers flexibility tailored to their needs.
High-end images
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Unsurpassed overall image quality
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Natural colors & flattering skin tones
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Highest dynamic range of over 14 stops
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ARRI Look Library & 3D LUT support
Cutting-edge broadcasts
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Live HDR in PQ or HLG
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4K UHD recording & outputs
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200 fps slow motion with onboard recording
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Transmission distance up to 2 km incl. power
Flexible workflows
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Compatibility with Sony RCP controls
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Remote iris control for PL/B4/EF/cine lenses
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Tally interface & intercom/prompter channels
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Return video & genlock support